The video for Parents Just Dont Understand, actually, was one of the things that initially convinced NBC to make a pilot deal with Will, says Andy Borowitz, who collaborated with his then-wife, and writer-producer Susan Borowitz on creating The Fresh Prince of Bel-Air. The graffitied walls, the sped-up Looney Tunes moments, and Smiths cocky, flirty, slightly spoiled, megawatt charm character is all right there.Īs Carli puts it: That video was the blueprint for the opening title sequence. The importance of this collaboration to The Fresh Prince of Bel-Air main titles is easy to see. He met with Townes and Smith, presented his treatment, and they hit it off. We need fancy sweatsuits, and some breakdancing and maybe some girls. What I loved about him was that he wasnt bound by just doing whatever anybody else was doing, Carli says.Ī lot of rap videos at the time were basically, Okay, we need gold chains. No, Carli wanted a director who would get to know DJ Jazzy Jeff and The Fresh Prince and make a video that achieved her goal: What could we do that could really tell this story within the budget that we had, in a way that personified the group Enter Scott Kalvert.Įventually, in 1987, Carli gave him a chance, and he directed the video for Kool Moe Dees Wild Wild West, which enjoyably merged hip-hop with the visual tropes of Western movies, while staying in line with Kool Moe Dees swaggering personality. That ahead-of-its-time inventiveness, along with its playful creative quality and infectious theme music, is what has made it one of the greatest TV openings of all time. Sure, it may not resemble the openings of series such as Game of Thrones, Jessica Jones, or Vikings, but it serves the same function: focusing on a shows tone and spirit, rather than merely its star performers. The Fresh Prince Of Bel Air Font Series Such As
It was a standalone work telling a self-contained backstory that was creatively distinct from the show right down to Will Smiths mother in the opening being different than the one in the show. Its opening was an entirely original work full of vibrant colours, intricate graffiti, sped-up cartoonish motion, and a dose of slapstick. Sitcom openings conveyed basic information about the cast and crew, and propped up the theme song.
More often than not theyd feature a montage of clips from existing episodes or actors dutifully posing for the camera as their names appeared.
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